Showing posts with label Carol McGrath. Show all posts
Showing posts with label Carol McGrath. Show all posts

Friday, 4 May 2018

The Dark Ages is the best era - and here's why! A fun talk at Wrexham Carnival of Words.

This time last week I was at Wrexham in North Wales attending the Wrexham Carnival of Words festival. I was appearing as part of their popular Historical Fiction evening, sharing the stage with some wonderful authors.


The first part of the evening was a relaxed buffet mingling and chatting with the Wrexham Writers Group, which was a fabulously relaxed affair with fun and enlightening conversations and some wonderful catering. A special shout out for the Canadian lady who brought treats from her shop, The Canadian Cottage - the Peanut Butter Truffles are to die for, and they deliver all over the UK.


I had a lovely time, meeting the local authors and chatting all about writing and publishing.

Then came the main event, which was split into two halves. The night was compered by fellow historical fiction author, Dave McCall (who writes under the name, David Ebsworth). Dave was a wonderful host and ran the evening with just the right touch of humour and fun.

The first half of the proceedings was entitled My Era is Better than Yours, and it pitched four writers against each other, each trying to convince the audience that the era they write about is the best.


I talked about the Anglo-Saxon Dark Ages and alongside me were Carol McGrath (Norman Conquest), Michael Jecks (The Plantagenet Apocalypse) and Tony Riches (The Tudors).

Me, Carol McGrath, Michael Jecks and Tony Riches

Each of us spoke for six minutes, then there were questions from the audience, and then we were allowed a further minute to seal the deal. After that, the audience voted for their favourite era.

Well, I rolled out my secret weapons, that were reciting some of Beowulf in the original Old English and then mentioning that, without the Dark Ages, we would not have had J.R.R. Tolkien's The Lord of the Rings. Needless to say, I won with a resounding majority of the votes! Not bad, considering, as I pointed out, the baddies in my books are often the Welsh!

You can read my full talk at the end of this post.

Robyn Young and Dave McCall

After a short break, Dave went on to interview Robyn Young about her novels and her journey as a writer. It was a relaxed, enlightening talk and the forty-five minutes flew by. Then we were all signing books and chatting, before heading back to the hotel for some wine and chips (apparently a tradition of the festival).

Signing books is always a blast, though I forget how to write my own name!

When we got back to the hotel, there had been a mix up and, despite the organisers having done the same thing for years, the new management of the hotel forbade us eating our chip-shop-bought chips in the hotel restaurant. So, after a few minutes of indignation, still basking in the glow of victory, I invited everyone up to my room.

Greasy chips! On my bed?!

What goes on in Wrexham stays in Wrexham!

It was all very rock and roll. There was talk about throwing the TV out of the window, but in the end the party was over by eleven, leaving me with a room filled with empty bottles and glasses and reeking of chips! And some great memories of Wrexham.

The aftermath of the after party!
Photo Copyright Matthew Harffy

My full talk notes
My Era is Better Than Yours - Anglo-Saxon Dark Ages

Being here in Wrexham is an honour, but I’m pretty sure that being here in Wales in particular is going to go against me. I can’t see how I can win because, although my era is of course better than all the others, my books are written from the perspective of the bloody Saes! Yes, the Anglo-Saxons, who become the English, are the main characters, and the Welsh are often the baddies! Of course it was the Anglo-Saxons who gave the Welsh their name, Welsh being the old English for foreign. You see the English penchant for disliking anyone different to them started long before Brexit!

So why is my era the best? The early medieval, as it is known by historians and academics, is more commonly known as the Dark Ages, a term coined by historians centuries ago who saw the decline of the Roman Empire as a descent into darkness and a loss of education and learning.

I like to call it the Dark Ages because nobody knows much about what was going on, especially in Britain. There are few primary sources and those there are, are pretty sketchy. All of this is great for an author! It is also sometimes known as the Heroic Age – and who doesn’t like a good heroic protagonist?

Hƿæt! Ƿē Gārdena     in ġēardagum,
þēodcyninga,     þrym ġefrūnon,
hū ðā æþelingas     ellen fremedon.

No, I haven’t just had a stroke, those are the opening lines of Beowulf translated by John McNamara
as:

Hail! We have heard tales sung of the Spear-Danes,
the glory of their war-kings in days gone by,
how princely nobles performed heroes’ deeds!
(Beowulf: A New Verse Translation. New York: Barnes & Noble, 2005.)

Epics like Beowulf, the oldest English poem, came from this period. And the seeds of the legendary tales of King Arthur emerged from the ashes of the Roman Empire. The greatest stories in the English language hearken from such a time of myth and legend, a time of scops singing their tales in the flickering light of smoky mead halls.

All good stories need conflict and Dark Ages Britain is rife with it – Angles and Saxons clash with the native Welsh, Anglo-Saxons fight other Anglo-Saxons, they fight the Picts, they fight the Irish, and of course later, they all fight the Vikings!

There were so many small kingdoms in Britain it was like a continent in miniature, providing a great scope for stories.

Not only were there battles between the different kingdoms, there were clashes between religions. It is a period before Christianity had become the overwhelming winner in the battle for the hearts and souls of the people of Britain. The Anglo-Saxons worshiped the pantheon of gods that were the same as those followed by the Vikings in all but name. Thunor/Thor, Woden/Odin, etc. Christianity came into Britain from Ireland and Iona in the West and North, and from the south from Rome and France over to Kent and through the kingdoms of Britain. As I said before, conflict makes for great stories and here there was a new God promising everlasting life battling against the old pagan gods that demanded sacrifice. Even the two strands of Christianity were in conflict. Culminating in the Synod of Whitby in AD 664, where such exciting things were discussed as the calculation of the date of Easter and the type of haircuts that monks should have! Heady stuff indeed!

The Dark Ages cemented so much of what we know today in our day to day lives. The names of the days of the week come from the gods - Woden gives us Wednesday, Thunor gives us Thursday, Tuesday is from Tiw, the God of war. Even the counties in many areas come from the kingdoms of pre-conquest Britain. Sussex for the South Saxons, Wessex for the West Saxons Essex, the East Saxons, Mercia, Powys and Gwynedd… all have their roots in the Dark Ages.

Even the name 'Wrexham' may possibly trace its etymological origins back to this period as being derived from an Old English name, 'Wryhtel' and 'hamm' meaning water meadow i.e. Wryhtel's meadow. And Wrexham was almost certainly founded by Anglo-Saxon Mercian colonists in the 8th century. So without the Dark Ages and those bloody Saes, we wouldn’t be talking here today!

With all the great battles and action you might be forgiven in thinking there is no place for women, but you’d be wrong! Women don’t have a great time in some of my books, but unlike later in history, it was an enlightened time in many ways. On marrying (which didn’t have to be done in church, by the way – after a couple plighted their troth and were hand-fasted, they were married). On getting married women were given a bride gift, which was theirs alone to do with as they pleased and they were also allowed to inherit and own land and wealth. Although the history of the era is crowded with kings, warriors and priests, there are also powerful women who commanded great influence, women such as Hild, the Abbess of Whitby, of the famous Synod. And others, such as Queen Eanflaed and her mother Ethelburga, who are often mentioned as having profound influence on the men in their lives, often changing the course of the politics of whole kingdoms. Nothing changes! I am sure Melania is running the United States of America!

Of course, as I said before, the Dark Ages are really the Early Middle Ages and apart from the lack of electric light, they were not that dark at all. If you look across the whole period you can see exquisite craftsmanship such as that seen in the Sutton Hoo burial and the Staffordshire Hoard, and of course the Lindisfarne Gospel and the Book of Kells were produced by monks in the British Isles in a time that is infamous for its lack of education. If you look wider, over the rest of the continent, the Moors bring algebra and advances in medicine and science in this time, and there were massive innovations in architecture across Europe.

In short, with its epic poems, the works of great craftsmanship, the impacts on our everyday language and place names, the Dark Ages still burn brightly in our history and our collective psyche, not to mention they still enthrall us and are a great backdrop for gripping novels!
And that is why my era, The Dark Ages, is the best!

Final closing comment

The others have talked about Shakespeare, and Boccaccio and Chaucer and the Domesday Book. I bring you an author better than any of those. The best author of the twentieth century! J.R.R. Tolkien!

The Dark Ages is a time of enlightenment and progress, as well as a huge amount of conflict. An era of great kings who stood in shieldwalls alongside their retinues of brave warriors. Kings like Oswald of Northumbria, who was part of the inspiration for one of the greatest works of fiction of the 20th century. In JRR Tolkien’s Lord of the Rings, Aragorn, son of Arathorn, the exiled King of Gondor, who returns to claim his birthright, is based on Oswald.

On talking about the time when the epic poem Beowulf was written, Tolkien described it as “a time that has now for ever vanished, swallowed in oblivion”. It is an era, he said, that is to us “as a memory brought over the hills, an echo of an echo”.

I think the echoes from that distant time still resonate today, particularly in the British Isles where people speak a language that after so many centuries still has essential kinship with that spoken by the Anglo-Saxons.

Beyond our language, we share many other characteristics with the men and women who recounted sagas and told riddles around the hearth fires of feast halls. Some would say we are still a bellicose people, and we certainly still like a good drink. But above all of that, just like those Dark Age forebears, all of us here tonight like a good story.

(Wrexham, 27th April, 2018)


Unless otherwise stated, all photographs copyright Phil Burrows.

Monday, 19 October 2015

BOOK REVIEW: The Betrothed Sister by Carol McGrath

The Betrothed SisterThe Betrothed Sister by Carol McGrath
My rating: 4 of 5 stars

The Betrothed Sister is the third novel in the Daughters of Hastings trilogy. Each is a standalone book, but part of the larger tale of the women of King Harold’s family.

This story follows Thea, daughter of Harold, as she leaves England after her father’s defeat at Hastings. She flees into exile in Denmark and then Russia. McGrath imbues the main characters (Thea, her grandmother, her maid, Gudrun, and the trusty skald, Padar) with a charm and depth that makes it easy to love them. Thea is a stranger in strange lands and this gives McGrath the perfect opportunity to have her ask questions and to marvel at the unusual customs and things she witnesses. The reader learns of the ways of the Rus through Thea’s eyes and we root for her to finally marry the prince to whom she is betrothed for such a long time. And to find the happiness that she craves and deserves.

What McGrath does best is to bring humanity to the situations in which Thea finds herself. From the nasty sisters who plague her time at the court of King Sweyn of Denmark, to the bitter Lady Olga, who makes the English princess’s life miserable in the land of the Rus, the interactions between these noble women are what really make the book shine. In fact, I would have liked to have seen more of the interplay between characters and less of the sweeping battle of thousands-strong armies of the novel’s finale.

McGrath states in the author’s note that she read Russian Studies at university. It shows. She is clearly at home with the subject matter and her research stands out in glittering details, like jewels embroidered into one of Thea’s many-layered gowns. But like those bejewelled dresses, everything is in its place, nothing stands out to spoil the overall effect.

Carol McGrath has woven a story of early medieval royalty as rich and poignant as a princess’s wedding rushnyk.

View all my reviews

Thursday, 16 July 2015

AUTHOR INTERVIEW: Carol McGrath

I am very pleased to welcome to my blog the talented historical fiction author, Carol McGrath.

Carol is the author of The Daughters of Hastings trilogy, the first two of which have been hugely successful, the third is sure to do equally well when released later this year.




I believe you are currently working on the edits of the third novel in The Daughters of Hastings trilogy, The Betrothed Sister. Please tell us a bit about this book. Can it be read in isolation, or do you need to read the other books first?

The Betrothed Sister is the story of an exiled princess and how she made a brilliant marriage into the Kiev Rus royal family. Thea (Gytha, eldest daughter of King Harold) first travels with her grandmother to Denmark and exile after the Normans enforce regime change on England. The marriage is not brokered with ease. There are impediments such as jealous Danish princesses, an enemy in Russia in the form of a lady courtier, culture differences between Thea and her beloved prince and dangers from within and without the Rus kingdom. Yes, it can absolutely be read as a stand-alone novel. The other books can also be read out of order. They are about different women in the family. Collectively they show The Norman Conquest and its aftermath from the point of view of aristocratic women. I feel this book is my best. It required particular research in Oxford’s Slavonic Studies Library, informed imaginative writing and has ended up as a thrilling fast paced story.



When is The Betrothed Sister due for release?

It is done and dusted and beautifully edited too with a gorgeous map and family trees. There will now be pre publicity. It will go to selected reviewers and so on. The release date is 22nd October and it is already up for pre-order on amazon.

I am now working on a one off novel set in a later period before returning to the Middle Ages.

When did you decide to become a writer? Did you know that historical fiction would be your genre from the beginning? Did you dabble in any other styles of fiction? Would you consider other genres in the future?

It happened. I have an article in the current Writing Magazine explaining this. I always wrote stories and I always loved history. I studied History at University as my subsidiary subject and English and Russian Studies for my main degree. I taught History at high School level. I have written contemporary short stories. I wrote a lot once for my MA portfolio. I just have never done anything about publishing them.  That was a decade ago. I went onto a PhD programme which I entered at MPhil, though I was told at viva stage that the thesis was of PhD standard and length. However, I just had had enough of Academia and wanted to get on with writing and publishing novels.  I had a publisher for The Handfasted Wife and so rather than fuss around with further thesis edits I wrote the other two books.



Why the 11th century? Did you consider writing in any other historical period? Would you consider it? If so, what other period/place interests you most?

The 11th century was inspired by my fascination with embroidery and The Bayeux Tapestry and the more I delved the more interested I became. My main interest is women’s lives in different periods, but particularly during periods of societal change. I had studied medieval history for my degree but I have studied other periods in depth also, especially the 17thC.  At the moment I am writing a novel set in the early Tudor period. It concerns the cloth trade and a Tudor lady. I shall say no more. It is still in the planning and research stage. I hope you will be surprised Matthew. After that I am back to the High Middle Ages. I also have a bottom drawer Edwardian novel which needs attention and I have a two time novel stowed away which is set in the Second World War and in the nineteen seventies and was inspired by something that happened to my mother during the war.  So no, I am not always going to write medieval novels.

Have there been any surprises for you while writing The Daughters of Hastings series?

Oh yes. I thought I had imagined that Edith Swan-Neck escaped from that burning house shown on The Bayeux Tapestry with her son Ulf. In fact, other Tapestry historians have had this theory, in particular Andrew Bridgeford. I also found out what happened to Ulf whom I describe as ‘a stolen child’ in the novels. The real story is to be discovered in The Chronicle of John of Worcester written close to the events. For these novels I have explored every primary source available, even in Latin! I use Oxford’s Bodleian Library and sometimes Jstor, an online journal resource. The other surprise was when I was contacted by the daughter of Dr Watkiss who translated The Waltham Chronicle who said that she loved The Handfasted Wife. She said her father would have loved it. Descendants of the Godwin boys contact me, not necessarily claiming they are really directly descended from this family, but telling me their family stories. My favourite has a skald who was a close retainer of the family, loyal and who helped the surviving women.  Importantly, when I wrote The Handfasted Wife I had no idea that it would find its readers but it certainly has. That is so appreciated, dear readers, if you see this interview.



Are you glad you chose to write about real historical characters, or would you rather have written about unknown/fictional characters in the historical period? Why have you answered as you have?

I like writing about women who actually existed and whose stories never really come to light. I like writing biographical fiction and shall continue to do so for now. Women in history are shadowy and I love the challenge of giving them a voice. I research deeply around the period, find snippets about their lives and use my imagination alongside research to piece together the known fragments.

What writer or book has had the biggest influence on your work?

Dr Zhivago by Boris Pasternak has had a great influence on my writing. I re-read it from time to time.

What are the best and worst things about being a writer?

I feel I have to discipline myself to work at it. The best thing is finding readers who enjoy the books. The hard thing is marketing. Authors are expected to do so much of this even with a good publisher behind them.

What is the best book you've read in the last twelve months?

Now there is that novel I loved called The Serpent Sword (Matthew: The cheque is in the post!) but I have loved reading Vanora Bennett’s Midnight in St Petersburg, a story based on her uncle’s story and set during The Russian Revolution. It has such heart. I loved the characters, the writing and its depth.

What is the most exciting experience you've had as a result of writing?

Oh dear. I did enjoy being shortlisted for The Romantic Historical Novel of the Year. It brought me publicity and interviews even though I didn’t win. I am not sure that The Handfasted Wife is really a romantic novel!

I understand that you split your time between Greece and England. How does that affect your writing? Where do you get most done and do you think the surroundings influence your writing?

Greece is peaceful. I am living near Paddy Leigh Fermor’s house in Kardymili. There are other writers here and I am part of a small writing group. I am only in Greece during the summer and love my escape to the country away from the demands of home. I can research at home in Oxford and I can write here. I love the surroundings. It is like the west of Ireland but with better weather!

Did you consider independently publishing your novel, or had you decided on the traditional publishing route from the beginning? How hard was it for you to get a publishing deal? Did any part of the process surprise you?

No the publishing deal happened easily enough. I wanted traditional publishing and a small publisher too. Both came my way via an editor who had edited my thesis work and had become a commissioning editor for Accent. Accent are going from strength to strength and have done very well with my books so far. Surprises- well the amount of editing service a good publisher can provide is pure gold in my opinion.

What’s next? Have you got plans for a new series? Standalone books?

I am writing one stand alone set between 1509 and 1525. Then I am working on a trilogy about medieval she wolves- ‘foreign queens with clout.’

And now for the quick-fire questions:

Tea or coffee?
Tea with lemon and honey.

Burger or hot dog?
Burger without a huge bun.

Villain or hero?
I love the villains!!!!

Beer or wine?
Wine, white and chilled.

Movie or TV series?
Both if engaging.

Happy ending or tragedy?
Both depending on the novel. It is all about the journey.

In the car, audio-book or music?
Music and I am usually eclectic in my tastes. Heavy metal does not do it for me, nor does Punk.

Thanks for taking the time out of your schedule to answer my questions, Carol. Best of luck for The Betrothed Sister and for your future projects.

Thank you for having me, Matthew. I very much enjoyed thinking about your questions.

Carol McGrath links:

Website: www.carolcmcgrath.co.uk
Facebook: The Daughters of Hastings Series
Twitter: @carolmcgrath